“Although we may never meet again because we have changed. Since the days we used to dream, it doesn’t matter if we’re close or not. In the future, think of me occasionally, all my friends who aren’t so close.”
– Bokeh
In the realms of storytelling, sometimes a single untruth can unravel into a web of complexities, testing the bonds of courage and loyalty. Such is the narrative woven in “Not Friends – เพื่อน(ไม่)สนิท (Phuen (Mai) Sanit)” (2023), a cinematic creation from GDH that delves into the intricate dynamics of deceit and camaraderie.
Synopsis
The tale centers around Pae (Tony Anthony Buisseret), a young man ousted from his school due to the fallout of a breakup and the disdain of his peers for his peculiar odor. Amidst his turmoil, Pae encounters Joe (Jump Pisitpol Ekaphongpisit), whose untimely demise presents an opportunity for Pae to secure a spot in college without academic credentials. Exploiting Joe’s passing, Pae embarks on a journey of deception, entering a short film competition under false pretenses. However, Bokeh (Baipor Thitiya Jirapornsilp), a former comrade of Joe, becomes privy to Pae’s scheme, setting the stage for a cascade of events.
News of Pae’s tribute to Joe garners widespread acclaim, yet beneath the facade of acclaim lies a bedrock of deceit. As Pae navigates the intricacies of his charade, the emergence of Ohm (Ryu Ingkarat Damrongsakkul), a disruptive force in Pae’s pursuit of victory, threatens to unravel his carefully constructed facade and strain his bond with Bokeh.
Review “Not Friends”
What captivates from the onset is the plight of Pae, a protagonist ensnared in the relentless machinations of fate. From romantic estrangement to the revelation of his ruse, Pae’s journey epitomizes the struggle against adversity. Yet, amidst the turmoil, the film shines in its portrayal of resilience and the enduring bonds of friendship.
The narrative unfolds with seamless precision, navigating through peaks of tension and valleys of resolution. Each twist and turn serves to deepen the emotional resonance, eliciting laughter and introspection in equal measure. The comedic undertones, intricately woven into the fabric of the story, offer moments of levity without detracting from its thematic depth.
Beyond its entertainment value, “Not Friends” serves as a poignant reflection on the repercussions of falsehoods. Through the lens of Pae’s journey, the film underscores the inherent risks of deception and the transformative power of authenticity.
In terms of performances and cinematography, the film excels in its simplicity and elegance. Tony and Baipor deliver compelling portrayals, further enhanced by the adept craftsmanship behind the camera. This is the second time they have paired up, previously Tony and Baipor were also the main leads in You & Me & Me (2023).
In conclusion, “Not Friends” emerges as a captivating exploration of youth and friendship, imbued with wit, sincerity, and undeniable charm. A testament to the enduring allure of storytelling, this cinematic gem awaits discovery on Netflix.